News
“New Business Models for Performing Arts” – The Novi Sad Training Hotspot
On Tuesday 24th and Wednesday 25th November, the second Training Hotspot has gone live from Novi Sad (Serbia) on Zoom, gathering TRAINART's partners and beneficiaries for the two-day event organized by the Serbian partner Kulturanova. This time, the focus [...]
Interview with Participants: Training Hotspot Gothenburg
We have already been talking about how successful the first Training Hotspot was, praising the smart organization by Teater Nu and the quick adaptation of each partner to the new online format. But, what do the beneficiaries think of [...]
Wrapping up “Performing arts and the shape of cities”, the Gothenburg Training Hotspot
Despite the circumstances that forced the project to move its Training Hotspots online, the first two-day online event "Performing arts and the shape of cities" gathered successfully all the TrainArt beneficiaries, excited to start with the project. On the [...]
The first TRAINART event is approaching! Discover the full program of the Gothenburg Hotspot
The Gothenburg TRAINART Hotspot is coming soon, in a slightly different way than previously planned. The beneficiaries will be attending the event online, excited to finally start this project together. Not in the same spot, but all simultaneously connected [...]
The TRAINART opportunities according to the cultural professionals: an interview with the Swedish artists participating in the training programme
The TRAINART project aims at strengthening the competitiveness of the European Performing Arts sector and at shaping new skills for cultural professionals interested in developing innovative business models in the Cultural and Creative Industries. The training programme is, therefore, [...]
Theatre and communities – the performing arts journey into public spaces and the challenge of immaterial places
Something we have witnessed in the past decades is the tendency of live performances to draw away from the notion of a prepackaged value to be delivered to the audience in favour of a direct involvement of the audience [...]